The Sound of Sisterhood: A Study of Female Musicians Building Networks Against Unusual Spaces in the Global South

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dc.contributor.advisor Reinfandt, Christoph (Prof. Dr.)
dc.contributor.author Azevedo Medeiros, Beatriz
dc.date.accessioned 2024-02-16T10:24:34Z
dc.date.available 2024-02-16T10:24:34Z
dc.date.issued 2024-02-16
dc.identifier.uri http://hdl.handle.net/10900/151121
dc.identifier.uri http://nbn-resolving.de/urn:nbn:de:bsz:21-dspace-1511217 de_DE
dc.identifier.uri http://dx.doi.org/10.15496/publikation-92461
dc.description.abstract The present dissertation introduces the cultural and historical processes that shape the unusual spaces for female-identified people to be in the Brazilian music industry, and the strategies employed by women and non-binaries to dismantle such construction. I consider that such process involves the gender inequalities in masculinity in certain music genres; thus, the research field started from the Brazilian rock underground scene. The main strategy observed was the creation of networks, employed with the goal to increase representation, education, the number of women and non-binaries working in the music industry, and by offering safer spaces for female-identified people to express themselves. By applying a multi-sited ethnography (Marcus 1995), long interviews with women and nonbinary individuals, and an online incursion with the conduction of an extensive online mapping of projects, and social media profile analysis, the present investigation categorized four types of networks interested in solving the problems of women and female-identified people in the music industry: creative, relational, educational, and informational. All these networks portray different structures and workings but have similar goals: to offer more visibility to women and non-binaries, create connections and engagement, build up feminine representation in the music industry, and encourage women and nonbinary people to learn and create music. With these networks, the research participants hope to dismantle the notion of unusual spaces in music. Networks are, therefore, a practical way of feminist activism. en
dc.language.iso en de_DE
dc.publisher Universität Tübingen de_DE
dc.rights ubt-podok de_DE
dc.rights.uri http://tobias-lib.uni-tuebingen.de/doku/lic_mit_pod.php?la=de de_DE
dc.rights.uri http://tobias-lib.uni-tuebingen.de/doku/lic_mit_pod.php?la=en en
dc.subject.classification Kulturwissenschaften , Globaler Süden , Geschlechterforschung , Musiksoziologie , Ethnologie de_DE
dc.subject.ddc 300 de_DE
dc.subject.other Feminist Studies en
dc.subject.other Support networks en
dc.subject.other Brazilian rock music en
dc.title The Sound of Sisterhood: A Study of Female Musicians Building Networks Against Unusual Spaces in the Global South en
dc.type PhDThesis de_DE
dcterms.dateAccepted 2023-09-05
utue.publikation.fachbereich Anglistik, Amerikanistik de_DE
utue.publikation.fakultaet 5 Philosophische Fakultät de_DE
utue.opus.portal ResearchData de_DE
utue.publikation.noppn yes de_DE

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